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Everybody wanted to date her in the 1980s, try not to cry when you see her today

Justine Bateman, once the teenage darling of Family Ties, grew up under a spotlight that never dimmed, only hardened. As the years etched themselves across her face, the industry and internet rushed to declare her “ruined.” Instead of surrendering to the surgeon’s knife, she chose something far more radical: to believe her own reflection. She calls her face “evidence” of who she has become, proof that she is no longer the girl she once was, and she refuses to erase that story for anyone’s comfort.

Her stance isn’t an attack on women who choose procedures; it’s a plea for freedom from fear. Bateman insists that no injection can silence the terror of not being enough. That’s an inner battle, not a dermatological one. She feels genuine sorrow for women trapped in that loop, forever “fixing” themselves instead of living. By standing in public, unaltered and unashamed, she offers something Hollywood rarely does: permission to age and still be worthy of being seen.

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